Video Tutorials
How I'm Using Autofocus Adapters to Shoot Vintage Glass on Modern Mirrorless Bodies
I’ve spent years arguing that cheap modern glass beats expensive vintage glass for practical shooting. And I still believe that. But I’ve also been testing vintage lenses long enough to know that “practical” isn’t the only reason people pick up a camera. Sometimes you want the rendering. The falloff. The slightly imperfect way a 1970s 50mm draws light. The problem has always been that using vintage glass on a modern body means giving up autofocus, and giving up autofocus means missing shots.