How to Shoot Street Portraits With a Massive IMAX Lens (And What It Taught Me About Thinking Outside the Bag)

How to Shoot Street Portraits With a Massive IMAX Lens (And What It Taught Me About Thinking Outside the Bag)

There’s a certain kind of photographer who looks at a massive, decades-old cinema lens collecting dust in a storage case and thinks “yeah, that’ll work for portraits.” That’s JP Morgan of The Slanted Lens, and honestly, that mindset is exactly why I keep coming back to his channel. In this The Slanted Lens tutorial, JP hauls an IMAX lens built by iWerks down to a skate park in Santa Monica and shoots street portraits with it on his Canon EOS R.

Canon's RF 70-200mm Is Smaller, Lighter, and Still the Magic Lens - Here's What Actually Changed

Canon's RF 70-200mm Is Smaller, Lighter, and Still the Magic Lens - Here's What Actually Changed

I’ve always had a complicated relationship with the 70-200mm focal range. It’s the lens I recommend to almost everyone who asks, and it’s the lens I personally avoided for years because the size and weight made it a liability when I was trying to travel light. If you’ve ever tried to cram a traditional 70-200mm into a carry-on alongside everything else you’re hauling, you know exactly what I mean. The glass is worth it.

Canon RF 50mm f/1.8: The Budget Lens That Actually Delivers (And Why You Should Stop Waiting to Buy It)

Canon RF 50mm f/1.8: The Budget Lens That Actually Delivers (And Why You Should Stop Waiting to Buy It)

The question I get more than any other from people starting out is some version of “what lens should I buy next?” I’ve answered it so many times I almost have a script. But the honest answer is almost always the same one, and it has been for years: get a 50mm f/1.8. It’s the lens I wish someone had pushed me toward faster when I was shooting everything on a kit zoom and wondering why my photos looked flat.