Jasmine Star's 5-Lens Wedding Kit: What Actually Matters (And What You Can Rent)

Jasmine Star's 5-Lens Wedding Kit: What Actually Matters (And What You Can Rent)

Wedding season has a way of exposing every gap in your kit. I learned that the hard way shooting my first wedding with a nifty fifty and a kit zoom, praying the reception venue had decent lighting. What I wish I’d had back then was a clear, prioritized list from someone who’d already figured out which lenses actually earn their keep on a wedding day versus which ones just look impressive in a gear bag.

The 70-200mm Isn't Just a Backup Lens - Susan Stripling's Approach Changed How I Think About Zoom

The 70-200mm Isn't Just a Backup Lens - Susan Stripling's Approach Changed How I Think About Zoom

I used to think the 70-200mm was a crutch. A lens you grabbed when you couldn’t get close enough, not because you actually wanted to be shooting at that focal length. That thinking cost me a lot of good shots before I started paying closer attention to how working professionals actually use their glass. In this CreativeLive tutorial, wedding photographer Susan Stripling dismantles that assumption completely - and she does it not by talking theory, but by walking through the real-world situations that forced her to rethink the lens entirely.

What Vicki Taufer's Pet and People Sessions Taught Me About Shooting Honest, Sellable Images

What Vicki Taufer's Pet and People Sessions Taught Me About Shooting Honest, Sellable Images

Here’s something I’ve noticed after years of shooting on a budget and reviewing gear for a living: the photographers who actually sell their work aren’t always the ones with the cleanest lighting setups. They’re the ones who know how to work a chaotic scene, pull something real out of it, and move it through a workflow fast enough to stay profitable. That skill gap has nothing to do with camera bodies or lens lineups.