How to Shoot Street Portraits With a Massive IMAX Lens (And What It Taught Me About Thinking Outside the Bag)

How to Shoot Street Portraits With a Massive IMAX Lens (And What It Taught Me About Thinking Outside the Bag)

There’s a certain kind of photographer who looks at a massive, decades-old cinema lens collecting dust in a storage case and thinks “yeah, that’ll work for portraits.” That’s JP Morgan of The Slanted Lens, and honestly, that mindset is exactly why I keep coming back to his channel. In this The Slanted Lens tutorial, JP hauls an IMAX lens built by iWerks down to a skate park in Santa Monica and shoots street portraits with it on his Canon EOS R.

10 Cheap Photography Tools That Actually Change How You Shoot

10 Cheap Photography Tools That Actually Change How You Shoot

I’ve said it before and I’ll keep saying it: the gear that sits in your bag between the expensive stuff is often what actually makes the shot. The $8 reflector. The magnetic LED panel. The cheap phone mount you grabbed on a whim. That’s the category of tool I’ve been obsessed with since I started shooting, and it’s exactly why a recent video from First Man Photography caught my attention and kept it.

How a Tilt-Shift Lens Gives You Control Over What's Sharp (And What Isn't)

How a Tilt-Shift Lens Gives You Control Over What's Sharp (And What Isn't)

Most of us chase sharpness. We pixel-peep, we chimp, we stop down to f/8 and call it safe. But there’s a whole category of creative focus control that doesn’t get enough attention outside of architecture and product photography circles, and that’s the tilt-shift lens. I spent years assuming it was a specialty tool for correcting buildings and nothing else. A recent tutorial from The Slanted Lens changed that for me, and I want to break it down in a way that actually sticks.

This Weird Tilt Lens Broke My Brain (And Then Made My Street Photos Look Incredible)

This Weird Tilt Lens Broke My Brain (And Then Made My Street Photos Look Incredible)

I have a spreadsheet with every budget lens I’ve tested over the past four years. Primes, zooms, vintage glass, Chinese third-party copies of Japanese classics. I thought I had a pretty solid mental map of what a lens can do to an image. Then I watched Pierre T. Lambert take a tilt lens out onto the streets of Chicago and I realized there’s a whole category of optical weirdness I had mostly ignored.