Prime Lens

Prime Lens vs. Super Zoom: What a Day in the Lake District Actually Teaches You About Creative Constraints
Video Tutorials

Prime Lens vs. Super Zoom: What a Day in the Lake District Actually Teaches You About Creative Constraints

There’s a question I get in my inbox constantly, usually from someone who just found a killer deal on a superzoom: “Should I grab this or just stick with a prime?” I’ve been on both sides of that argument more times than I can count, and I’ll be honest, my spreadsheet of budget lens comparisons has a whole tab dedicated to exactly this tradeoff. When I watched Nigel Danson take a 28-400mm into the Lake District to wrestle with this question in real shooting conditions, I paid close attention, because he’s not running a controlled studio test.

The 50mm f/1.8 Is the Only Lens You Actually Need Right Now (Here's How to Use It)
Video Tutorials

The 50mm f/1.8 Is the Only Lens You Actually Need Right Now (Here's How to Use It)

I have a spreadsheet with 47 lenses on it. Budget zooms, tilt-shifts, third-party primes, a few oddball manual focus options I bought off eBay at midnight. I’ve tested most of them. And after all of that, the one lens I still recommend first to anyone who asks is the 50mm f/1.8. Not because it’s the most exciting answer. Because it’s the correct one. In this Pierre T. Lambert tutorial filmed on the streets of Chicago, Lambert does something refreshing: he makes the case for the 50mm f/1.

35mm vs 20mm vs 24mm: A Real Shooter's Guide to Picking Your One Lens
Video Tutorials

35mm vs 20mm vs 24mm: A Real Shooter's Guide to Picking Your One Lens

One question shows up in every photography forum, every beginner Facebook group, every comment section I’ve ever been in: “Which lens should I buy first?” I’ve answered it so many times I basically have a copy-paste response saved. But the honest answer isn’t a product recommendation. It’s a process. And watching Pierre T. Lambert work through exactly this question on a Chicago rooftop shoot helped me articulate that process better than I ever had before.

Tamron SP 35mm f/1.8 Di VC First Look: Is This Budget-Friendly Prime Worth Your Attention?
Video Tutorials

Tamron SP 35mm f/1.8 Di VC First Look: Is This Budget-Friendly Prime Worth Your Attention?

I’ll be honest with you. When Tamron started pushing into the prime lens market, I was skeptical. Zoom lenses had always been their bread and butter, and primes are where manufacturers live or die on optical quality alone. There’s nowhere to hide. So when a KelbyOne tutorial featuring Tamron representatives doing a first look at the SP 35mm f/1.8 Di VC landed in my feed, I watched it less as a fan and more as someone running quality control.

Stop Paying $2K for a 35mm Prime — Viltrox is Disrupting the Market
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Stop Paying $2K for a 35mm Prime — Viltrox is Disrupting the Market

The 35mm f/1.2 Problem Nobody Wanted to Solve Let’s be honest: the 35mm focal length is having a moment. Street photographers love it. Portraitists swear by it. Content creators are obsessed. But there’s been a massive elephant in the room — if you wanted a fast 35mm prime for Sony or Nikon full-frame cameras, you were looking at dropping between $1,800 and $2,500 on glass alone. That’s a tough pill to swallow, especially when you’re already investing in bodies and other lenses.