Video Tutorials

What Happens When Two Photographers Swap Lenses Mid-Shoot (And What It Teaches You About Your Own Glass)
Video Tutorials

What Happens When Two Photographers Swap Lenses Mid-Shoot (And What It Teaches You About Your Own Glass)

I spend a lot of time thinking about lenses in terms of specs and price points. That’s the job. But there’s a different kind of lens education that no MTF chart can give you, and it only happens when you’re forced to shoot with glass that doesn’t match how your brain works. That’s the real lesson hiding inside this Jessica Kobeissi tutorial, where she and beauty photographer Kaylee swap lenses entirely and each tries to shoot in the other’s style.

The Viltrox 35mm f/1.2 Is Half the Price of Sony's Version — Here's What It Actually Delivers
Video Tutorials

The Viltrox 35mm f/1.2 Is Half the Price of Sony's Version — Here's What It Actually Delivers

I’ve got a spreadsheet with every budget lens I’ve ever tested, and the column I always sort by first is “value vs. flagship equivalent.” That single ratio has saved me — and plenty of readers — from spending money they didn’t need to spend. So when I came across Pierre T. Lambert’s hands-on field test of the Viltrox 35mm f/1.2, I paid close attention. Pierre is a travel and adventure photographer who shoots in real conditions, not just a controlled studio, which means his opinion carries actual weight.

Why I Now Take My 100-400mm Lens on Every Landscape Shoot (And How to Actually Use It)
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Why I Now Take My 100-400mm Lens on Every Landscape Shoot (And How to Actually Use It)

Most landscape photographers treat their telephoto lens like a backup option. It stays in the bag while the wide angle does all the work. I used to do the same thing. My 100-400mm would come out maybe once a session, usually when I spotted wildlife, then back in it went. Watching William Patino work through a frosty winter morning in New Zealand’s South Island genuinely changed how I think about that piece of glass.

Is the Sigma 23mm f/1.4 the APS-C Prime Sony Shooters Have Been Waiting For? I Broke Down the Tests.
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Is the Sigma 23mm f/1.4 the APS-C Prime Sony Shooters Have Been Waiting For? I Broke Down the Tests.

If you shoot Sony APS-C, you already know the frustration. The camera bodies are excellent, the ecosystem is open, but the native prime lens selection for crop-sensor shooters has always felt like an afterthought. I’ve had the same conversation a dozen times at local meetups: someone picks up a Sony ZV-E10 or an a6400 and immediately asks what lens to put on it. My spreadsheet of budget lenses has a long list of compromises in that category.

Full Frame Lenses on a Crop Camera: When It's Smart and When It's Just Expensive
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Full Frame Lenses on a Crop Camera: When It's Smart and When It's Just Expensive

Every few weeks someone emails me asking some version of the same question: “I’m still on a crop sensor but should I just start buying full frame lenses now so I’m ready when I upgrade?” I’ve been dodging a complete answer because the honest truth is more complicated than a yes or no. Turns out Daniel Norton, a working photographer out of New York, laid out the clearest framework I’ve seen for thinking through this decision.

Do You Actually Need an Ultra Wide Angle Lens? Here's How to Decide
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Do You Actually Need an Ultra Wide Angle Lens? Here's How to Decide

I’ve tested a lot of lenses on a tight budget. My spreadsheet has entries for focal lengths most people have never heard of, and I’ve run side-by-side comparisons on lenses that cost $89 versus $890. But one question keeps showing up in my inbox more than any other: “Do I need to go wider than 24mm?” It sounds simple. It’s not. Spend enough time in the field and you realize that buying an ultra wide angle lens without understanding how to use it is one of the fastest ways to end up with disappointing, distorted images you’ll never post.

Sony 20mm f/1.8 vs Sigma 20mm f/2: Which Wide-Angle Actually Wins for Landscape and Astro Work?
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Sony 20mm f/1.8 vs Sigma 20mm f/2: Which Wide-Angle Actually Wins for Landscape and Astro Work?

Every time I’m about to pull the trigger on a lens, I end up in the same rabbit hole: spec sheets, forum arguments, and sample images shot under perfect studio conditions that tell me almost nothing about how the thing behaves when I’m freezing at 2 a.m. trying to photograph the Milky Way outside Denver. That’s why I stopped trusting spec sheets and started trusting side-by-side field tests. Tony and Chelsea Northrup do some of the most methodical lens comparisons on YouTube, and their recent shootout between the Sony 20mm f/1.

Wide Lens Landscape Shooting in Snow: What This New Zealand Winter Scene Teaches About Light, Framing, and Patience
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Wide Lens Landscape Shooting in Snow: What This New Zealand Winter Scene Teaches About Light, Framing, and Patience

Wide lenses punish lazy composition. That’s the honest truth I’ve had to sit with since I started doing serious landscape work. A telephoto can compress a mediocre scene into something that looks intentional. A wide lens at 16mm in a forest full of snow-covered trees will expose every weak framing decision you make. So when I came across a tutorial that spends real time in a real winter environment showing how to think through wide-angle landscape shots, I paid attention.

How to Actually Choose Your Next Lens (Without Getting Lost in Gear Lust)
Video Tutorials

How to Actually Choose Your Next Lens (Without Getting Lost in Gear Lust)

I spent an embarrassing amount of time last year researching lenses I couldn’t afford instead of actually shooting with the ones I had. Sound familiar? The problem isn’t that there’s too little information out there. It’s that most of it is written by people who are trying to sell you on a specific lens rather than help you figure out which one actually fits your situation. In this Peter McKinnon tutorial, he cuts through the noise with a deceptively simple framework that I wish someone had handed me when I was first building out my kit.

Canon FD vs. Nikkor vs. Pentax vs. Minolta: What 4 Vintage 50mm Lenses Actually Look Like on a Modern Sensor
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Canon FD vs. Nikkor vs. Pentax vs. Minolta: What 4 Vintage 50mm Lenses Actually Look Like on a Modern Sensor

I spend a lot of time on eBay before breakfast. It’s a problem, or a system, depending on how you look at it. And one question I get constantly from readers is some version of: “I found a cheap vintage 50mm on eBay, is it actually worth buying?” My honest answer used to be “depends on the brand” — but that’s not good enough. Different vintage glass renders differently, and if you’re shooting portraits, those differences matter more than most people realize.

5 Cheap Photography Accessories Scott Kelby Actually Uses (Holiday Gear Guide Breakdown)
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5 Cheap Photography Accessories Scott Kelby Actually Uses (Holiday Gear Guide Breakdown)

Every year around the holidays I end up down a rabbit hole of gear guides that are basically just sponsored lists for cameras nobody can actually afford. So when I caught the KelbyOne speed-play holiday gear guide with Scott Kelby, Erik Kuna, and Terry White, I paid attention. These are working photographers, not influencers chasing affiliate checks on $3,000 bodies. What struck me immediately was how budget-friendly most of their picks were.

How a Pro Photographer Packs Camera Gear for a Flight (And What It Taught Me About My Own Kit)
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How a Pro Photographer Packs Camera Gear for a Flight (And What It Taught Me About My Own Kit)

Every time I book a flight for a shoot, I spend about two hours the night before playing Tetris with my gear. Something always gets left behind, something always feels risky in checked luggage, and I never feel confident I’ve made the right calls. For a long time I assumed that was just the tax of traveling light. Then I watched how Nigel Danson approaches it, and I realized I was making the process harder than it needs to be.