How to Stop Grabbing the Wrong Lens on Location (Mark Denney's 4-Question Framework)
I used to burn the first 20 minutes of every golden hour just standing there second-guessing myself. Wide or telephoto? Should I move closer? Is this even the right spot? By the time I committed to a composition, the light had already peaked and I’d missed the window. I shoot on a budget, which means I’m usually rocking two lenses max, and somehow that made the paralysis worse, not better. When you have fewer options, you’d think it would be easier to decide.